Fleet Week on Broadway

REUTERS/Lucas Jackson

Fleet Week is the unofficial opening day of summer in New York. Uniformed sailors float in for sweaty city fun, wandering the streets in search of a sweet, tangy bite of the Big Apple. The men and women are homogenous émigrés in sea of dissonant color and style, beacons of sameness in a city that idolizes individuality.

Paradoxically, it’s those very uniforms that stand out most in a crowd, a fact apparent at a Fleet Week performance of “Bengal Tiger at the Baghdad Zoo” I attended.

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Spring Fever

It’s marquee season on Broadway — the moment just before spring shows go into full swing, and freshly postered theaters taunt their half-baked wares to hungry passers-by. Every new show is a potential hit, and this sense of promise makes a theater-lover giddy with ticket-buying anticipation.

What to see first is the real question: “How to Succeed,” starring a wandless Daniel Radcliff? Or “Book of Mormon,” whose workshops were such a smash that reviews might be irrelevant? (As the show’s pervasive ad material frequently reminds us, “Vogue” has already surmised that “Mormon” might be “the funniest musical of all time.”) Then, of course, there’s “Catch Me if You Can,” the new project from the team behind that most rapturous of musical-theater perfections, “Hairspray.” Can they live up to their poppy, Tony-gilded reputation? Let’s hope so!

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