Listmakers rejoice! It’s time for the annual “BEST OF” catalogue! Buckets of theater got produced this year, and below are the Official Theater-Words Favorites. (Some publications distinguish between “best” and “favorite.” Not here. Calling something a “best” but not a “favorite”—or vice versa—is like pretending you’re not, y’know, a subjective human being.)
But first, some preemptive thoughts: This list is heavily skewed towards off-Broadway—only two Broadway shows appear—and only three musicals were thrilling enough to make the cut. Sad times for Broadway, sad times for musicals.
But not sad times for theater! The following shows were united by a moment-to-moment vitality and artistry; they were distinguished by the imaginative ways that vitality was expressed.
(BTW, on-the-road employment being what it is, this list is weighted towards the first half of the season. Apologies to the fall, but I just wasn’t around.)
And now, in roughly descending order…
1. THE BIG MEAL (Playwrights Horizons)
Without a doubt the best play of the year. Both theatrical and humane, Dan LeFrank’s family drama elevated the commonplace to the level of profound, rather like that most perfect of plays, Our Town.
2. PIPPIN (American Repertory Theater, in Boston)
Coss your fingers, New York—ART’s Pippin is spectacular, and you’d be lucky to have it. Equal parts ear-to-ear smiles and musical theater chills, this show was the most fun I’ve had at a tuner in years.
3. UNCLE VANYA (Soho Rep)
A super cool, immersive set invited the audience inside the living room of this beautifully acted play. As much a “happening” as a production.
4. FEBRUARY HOUSE (Public Theater)
Director Davis McCallum and company turned down the volume in this intimate off-Broadway musical about art and the world, to beautiful effect. Gabriel Kahane’s score made you eager for more.
5. CLYBOURNE PARK (Broadway via Playwrights Horizons)
It’s all been said before, but really, this intelligent time-travelling race relations play was a blast, and featured some of the dirtiest jokes ever.
6. THE GREAT GOD PAN (Playwrights Horizons)
This was an odd, disarming play with a killer premise: a man learns he may have been molested as a child, but he remembers nothing. Did it happen? Does it matter? A seemingly slight play that stuck to your bones.
7. THE LYONS (Broadway via the Vineyard Theater)
Linda Lavin got lots of praise in Nicky Silver’s fantastic black comedy, but Michael Esper (and most everyone) was just as good. A great entertainment.
8. LOOK BACK IN ANGER (Roundabout Theater Company)
The claustrophobia and, yes, anger in this production were thrilling and eerie. A creative, uber-narrow set hit things home. Not a date show, to its credit.
9. MERRILY WE ROLL ALONG (City Center Encores!)
The Encores orchestra playing this Sondheim score was pretty unbeatable. And really—is there a better finale than “Our Time”? Not that I’m aware of.
10. AS YOU LIKE IT (The Public’s Shakespeare in the Park)
Daniel Sullivan’s production hit home the redemptive parts of this otherwise overproduced Shakespeare, making the play seem vital and generous.
So here’s to you, 2012! Glad to have you, here’s your coat, get home safe. Say hi to 2013 on the way out.