Superstorm Sandy did more than ravage the infrastructure of the Tristate area; it threw a major wrench in the schedules of pretty much ever theater production in the region. Especially hard hit was Staten Island’s Harbor Lights Theater Company, whose production of The King and I was thrown in jeopardy when Sandy settled in. Associate Artistic Director Jay Montgomery was nice enough to answer some questions about the challenges Harbor Lights now faces.
What have been the physical and financial impacts of Sandy?
Harbor Lights produces at Snug Harbor Cultural Center, a New York City Park. When the Mayor shut down the parks, we were shut down, also. We lost six days of build and tech time, as well as rehearsal. We delayed our opening a week, and then another day when Snug Harbor was closed due to the Nor’easter, finally opening Friday, November 9th. We have to close on the 18th, rather than extend a week, due to the unavailability of the cast the next week, which is Thanksgiving.
Financially, we lost a third of our run—we’re a new company in our third season, the only Equity company in the history of Staten Island—and a three-week run is what we’ve built up to in our short history. The loss of revenue puts us in real peril. We estimate the loss at $30,000.
Has the state provided any aid?
The state hasn’t provided any aid as of yet. We do intend to pursue support if available. As of yet, we have not found any sources to help with loss of revenue.
How did your creative team manage to work on the show while public transportation was shut down?
The creative team worked electronically through the storm’s aftermath. Getting to SI was impossible for days—we drove to our Stage Manager’s house—she had power—to recharge and do administrative work.
How can New Yorkers help you guys out?
New Yorkers can help by coming to see the show! One of the great things the arts can do is promote healing, and this production certainly does that.
Have you been in touch with other theaters impacted by the storm?
We have been in touch with other theaters indirectly through David Lotz of Actors’ Equity; he has been spearheading communication throughout the area.
Moving away from the hurricane, what are the challenges for a young company like yours?
Our biggest challenge is simply carrying on. This production of The King and I was a strategic choice to get us to the next level in audience development. We invested significant money in advertising and production value — specifically choosing a classic piece of theater. Besides the loss of four performances, the last thing on the mind of Staten Islanders right now is to do anything pleasurable, and with good reason. This has caused a slow down in ticket sales for remaining performances resulting in additional loss of income. Whether or not we can survive the financial loss is unknown, but we remain determined to have a glorious closing week.
We’ve offered blocks of tickets to displaced people, relief staff, and volunteers in Staten Island to two of our performances encouraging them to let us transport and lift them for an afternoon or evening; Harbor Lights was created to be an institution to serve the community, by bringing the arts to our underserved borough. We hope to continue to fulfill that mission.
The King and I plays through November 18th at The Music Hall at Snug Harbor Cultural Center & Botanical Garden
Tickets are available HERE.
More at http://theharborlightstheatercompany.org/
Hurricane photo, above, courtesy of NASA
Pictured below: Hansel Tan and YoonJeong Seong in the Harbor Lights production of The King and I.