The “Most Promising Season Award” goes to…

Playwrights Horizons! Woohoo! Oh, the honor, oh the glory!

But really, was there every a question? Playwrights is always pretty great, but 2012/13 looks like it’s going to be SENSATIONAL. Any lineup that includes Annie Baker AND Amy Herzog AND Greenberg/Frankel/Korie, plus many others, is pretty much the bee’s knees by me. Here are the tantalizing titles and their respective slots:

1. DETROIT, the “better than Broadway” slot.
Initially scheduled for the Rialto this past spring, Broadway’s loss is Playwrights’ gain: Anne Kauffman is sure to steer this tale of economic woe into the tragic stratosphere. Oh, and it’s already got a Pulitzer nom. Whatever.

2. THE FLICK, the “our young writers are better than yours” slot, Part I.
If you don’t already love Annie Baker, you should. She writes plays, not plays that want to be movies, and her latest—something about the last 35 millimeter film projector in New England—practically screams “beautiful! melancholic! theatrical!” Resident genius Sam Gold helms.

3. THE GREAT GOD PAN, the “our young writers are better than yours” slot, Part II.
First of all, there’s the brilliant title. Secondly, there’s the super hotshot team of rising stars Amy Herzog and Carolyn Cantor. Thirdly… I don’t even know. I just want to see this.

4. FAR FROM HEAVEN, the “2013 Tony Awards” slot.
Let’s be real: this one is gonna charm the hell out of Mr. New York Times, skip east to Times Square, reopen “with sharper focus and impossibly fuller performances,” and clean up at the Tonys. Because with Richard Greenberg, Scott Frankel, Michael Korie, Michael Greif, and Kelli O’Hara on board, IT SHOULD.

5. THE WHALE, the “The Book of Mormon for off-Broadway” slot.
Aside from telling the story of a 600-pound man (!!!), this one’s about Mormon country, and Mormons are where it’s at right now. So, Sam Hunter’s play is bound to be all zeigeisty and amazing. Davis “I directed February House, what what” McCallum leads the way.

6. THE CALL, the “you’re going out there a youngster but coming back a star” slot.
Not gonna lie: Never heard of Tanya Barfield, the brains behind this one. But Leigh Silverman is directing, and, as In the Wake and Go Back to Where You Are as my witnesses, she and Barfield are sure to deliver.

So congratulations, Playwrights. May your season charm, upset, anger, entertain, enliven, scramble, and uplift us into theatrical ecsatsy. Cuz that’s what good plays do, y’all.


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