Stephen Sondheim is on the media circuit, and those of us hoping for a Christmas delivery of “Look, I Made a Hat” have had to whet our appetites by following his tracks around NYC. That’s right—theater-words saw SS live and in person, twice in the past two weeks. Here’s word from the frontlines.
1. The Colbert Report, 11/30
Although attending a TV taping is like boarding an airplane (Security! Waits! Delays!), it was worth it—briefly. In a very quick interview, SS played the straight man to Colbert’s dominant, ironic persona, and revealed that he was behind Colbert’s participation in the Philharmonic’s production of “Company.” (Before the taping, Colbert told the audience that his favorite Sondheim song is “Finishing the Hat.”)
2. Barnes & Noble, interview with Anna Quindlen, 12/7
Although there was no TV excitement, this conversation was far more satisfying and illuminating than Colbert’s. Sondheim and Quindlen are good friends—as evidenced by the number of times they collectively teared up—which made for a free-associative, infectious enthusiasm. SS gems poured and poured: He said that “movies and TV are set in aspic” compared to live theater, that a “standing ovation disturbs the exuberance” of a great performance, that “those of you who saw [the 2008 Broadway revival of “Sunday”] were lucky” because of its technological artistry. But most interesting was this: Were he stuck on an island with one of his shows performing every night, he’d want it to be “Forum.” (Because it’s funny!) And if a time machine could take him back to a single performance of his, he’d see the Roundabout revival of “Assassins,” excerpted below.
These oh-so-brief brushes with The Genius proved again and again his humanity, intelligence, and skill. What an honor it was. It’s exciting to spend time with someone who has literally made the world a better place.