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Get excited — here comes the new season!!! 45th Street is chock full of new marquees:
From left, there’s the Booth (Other Desert Cities), the Schoenfeld (Bonnie and Clyde), the Jacobs (The Mountaintop), and the Golden (Seminar). Across the street, not in view, is the Music Box (Private Lives).
BRING IT ON!
To find out, take a glance at the Eugene O’Neill’s marquee. In the grand tradition of “Cats” (those yellow eyes!), “Phantom” (that mask!) and “Merchant” (Pacino!), words have given way to a single, iconic image– in this case, a shiny doorknob. Tickets cost $8,000,000, it’s “the best musical of the century,” there aren’t seats until 2020, but it’s the marquee, I think, that says it all.
The demand for this (admittedly fun) show is so insane, the brand so instantly identifiable, that titles are superfluous. Now that’s what I call a hit.
Are those South Park guys the new Andrew Lloyd Webber?
London may be theatrical mecca, but British ad firms have a decidedly trashy bent when it comes to marketing shows: shiny, bubbled, or bedazzled lettering. 2D, classy type just doesn’t cut it. If you want to be a populist, West-End hit, you need implants. Examine the evidence.
Here in America, “Rock of Ages” is simple and shiny:
- … but in London, it’s gotten the Agelina Jolie treatment:
Only in New York! Check out these hilarious theater-inspired signs in the 72nd Street Trader Joe’s:









