There’s plenty to love in the Public’s As You Like It in the Park: the killer cast, the relaxed style, and the lucid storytelling for starters. Director Dan Sullivan’s interpretation puts to focus squarely on the text, so left to pore over the wordy jewels Shakespeare weaves into his story, you’re sure to encounter your own thematic insights.
I, personally, was most struck by the wonderful kindnesses in the play. Over and over, to degrees large and small, people expecting hardship and aggression encounter unexpected generosity.
My favorite of these kindnesses—and my favorite moment of this production—came when banished Orlando storms into the Duke’s forest campsite, momentarily holding the thoughtful Jaques hostage. “I almost die for food,” shouts Orlando, “and let me have it.”
The response of the onlooking Duke? “Sit down and feed and welcome to our table.” This immediate assent disarms Orlando. “Speak you so softly?” he says. “Pardon me I pray you.” Orlando then joins their woodsy meal as a brother, not a threat.
In this and other moments, As You Like It posits charity as the ultimate act of diplomacy. Not only does it diffuse tense moments, it turns enemies into friends, rivals into comrades.