That’s the parting impulse you’re likely to feel after two new off-Broadway plays, The Big Meal (Playwrights Horizons) and 4000 Miles (Lincoln Center Theatre). Like that old chestnut Our Town, these plays key into the transcendent power of everyday and regular family love. They are about The Big Themes, and they’re sure to send you to your phone: I love you, Grandma!
The Big Meal, by Dan LeFranc, accesses this pathos through a parade of actors who alternate as various members of one family; characters “grow old” as progressively aged performers assume the parts. It’s a terrifically moving device that highlights both the impermanence of everything and the comforting continuity of reproduction. The “story” is nothing more than the inevitable drama in a potpourri of family dinners, but the collective impact of all that “ordinary” is, well, extraordinary.
Amy Herzog’s 4000 Miles is more formally straightforward but no less emotionally potent. In it, college-aged Leo sets up camp in his grandmother Vera’s Greenwich Village pad. A youthful shot of scruff in a menagerie of fogeyism, he is in mourning for newly-deceased friend. The “4000 miles” of the title refer to a bike trip Leo has made, but they might as well signify the distance between Leo and Vera, a distance narrowed by scene after scene of awkwardness, frustration, then leisure and love.
Family drama really is the driving force of so many great American plays, and these writers continue that tradition in new, exciting ways. As the reviewers say, they’ve written something for everyone: You, Grandma, and everyone in between.
photo of The Big Meal by Joan Marcus